While seemingly an average Hollywood feel-good movie, Akeelah and the Bee contains some interesting
references to Illuminati concepts.
The overt story is that of a young girl who achieves the opportunity to compete in a national spelling bee.
She is tutored by a father-figure character, played by Laurence Fishburne. I was struck dumbfounded
when, with little warning, an elaborately architected scene of Illuminati symbolism was paraded across the screen.
One of the supporting characters, Javier, stood on the stage, where he had been challenged with a new word that he
apparently was not familiar with:
Javier: “Could you use the word in a sentence please?”
Judge: “The Merovingian kings were known for having long red hair.“
Javier:“Okay. uhh...M-A-R-O-V-I-N-G-I-A-N...Merovingian”
A bell rings, signifying that the word is spelled incorrectly.
Judge:“Merovingian is spelled M-E-R-O-V-N-G-I-A-N.”
Javier blows kisses to the audience, bows, and begins to walk off stage. He stops to speak with Akeelah.
Javier: “I forgot to spell it how it sounds. Thirteenth last year, fifth this year, next year I’ll take
it all. Now it’s your turn.”
One’s first reaction may be that the Merovingian reference was included or allowed by the director,
Doug Atchison, as a simple nod to Laurence Fishburne’s role in The Matrix movies, which featured the character
known as “The Merovingian”. However, the character of Matrix fame, was in and of itself a blatant
reference to Illuminati bloodlines. There is also elaborately placed symbolism accompanying Javier as he makes
his last stand at the spelling bee, that precludes the possibility of this being merely friendly homage to
The Matrix. A large sign bearing his contestant number his pinned to his chest. This number is none other
than 33, a number of key significance to the numeralogy-obsessed elite (e.g. 33 degress of Fressmasonry).
Javier is also framed by a massive Scripps National Spelling Bee logo, that appears almost as a
sun symbol, decorated with stars, and a giant bee. The bee is a major symbol used to represent the Merovingian
kings, and has been used for centuries by many royal families of Europe to show their claim to Merovingian
lineage. Thus, the title and subject matter of the movie itself, also incorporate the bee symbol.
Note how Javier spells the word incorrectly, with MAR instead of MER. This may be a reference to the
Mary Magdelene and Christ mythology, that the elite frequently use to program the masses into accepting their
self-proclaimed divine right to rule. See related article,
http://www.planetarymind.org/Blog/3/View.aspx.
The spelling bee featured in the movie is the real-life Scripps National Spelling Bee, which according to their
website, is America’s “largest and longest-running educational promotion, administered on a not-for-profit
basis by The E.W. Scripps Company and 268 sponsors...” The E.W. Scripps Company is a media
conglomerate, possessing dozens of American newspapers, television stations, and cable and satellite television
networks, among other assests. Just in case you doubt the Illuminati tie-ins, just dig their fancy logo: An obelisk-shaped
lighthouse with the capstone separated from the pillar by rays of emanting light.
This logo combines several Illuminati
symbols—the obelisk, the beacon or lighted torch, and the pyramid’s separated capstone. Interestingly, the
Scripps National Spelling Bee has been featured in two other recent films—a 2002 documentary, Spellbound,
and 2005’s Bee Season, which incorporated both Jewish Kabbalah and the Krishna mythos into its subject matter,
and was released on 11/11/2005, by Fox Searchlight Pictures.
Akeelah and the Bee was produced by Lionsgate (Lions Gate Entertainment Corporation). This name, as well as their logo,
evokes images from ancient Illuminati strongholds, such as that of the famous Ishtar Gate of ancient Babylon. Also
worth a mention is the “Lions’ Gate” of Hamedan—which according to one tradition, was built
by Alexander in honor of Hephaestion.
The company claims to have chosen the name in reference to the Lions’ Gate
Bridge, located in Vancouver, British Columbia [1]. Interestingly enough, this province evokes
the eponymous Venus Columba, known in Babylonian times as Queen Semiramis.
References
Posted: 09/20/2006 2:20 PM
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The Da Vinci Code has proven to be a most interesting creation of Illuminati propaganda. With its inevitable arrival on the big screen, the global elite have launched the latest assault in the war against our minds—a nice safe religious conspiracy story, to distract us from the mother of all conspiracies, which they so desperately want to keep hidden. But in addition to serving as a distraction, it also pushes their agenda, by injecting specific imagery and ideas into the collective.
It wasn't too long ago, when most so-called conspiracy theories remained out of the public eye. One generally had to go looking for them, which kept them out of reach for the disinterested masses. In these days of ever-quickening change, we see that tools such as the Internet have increased the probability that a typical mainstreamer will be exposed to a viewpoint of reality contrary to that which is sold through controlled media outlets. Many of those who could be counted on to believe what spews forth from news and radio outlets, are showing some interest in alternative sources of information. This poses some danger to the global elite, as even some of the Jane and Joe Normals of the world have begun to integrate some of these alternative ideas, like questioning the official story of 9-11.
Thus, distractions are needed, to draw us away from pursuing any worthwhile knowledge. What better vehicle to deliver this, than religion? Religion has long been a tool of the elite to subjugate humanity. To formulate this distraction, they have opted to throw the masses a bone by rewriting some of the most widely contested planks of their religious control platform. The basic suggestion of the film is that Jesus Christ, while able to perform miracles, was a normal man, who married, and fathered a bloodline that has descended unto present times. A faction of the Catholic Church is implicated as having suppressed this knowledge. If true, this could greatly increase respect for women within a male-dominated religion, a religion that has traditionally (less so in modern times), equated women with dirt. This story draws the public interest, because much has changed since the early days of Christianity. In modern times, an overwhelmingly greater number of humans believe in equality between the sexes. Thus, while this alternative version of the Christian mythos is nothing new (the Illuminati have quietly seeded these ideas into popular culture for years), it would appear that the time is ripe for these ideas to gain mass acceptance.
If we review The Da Vinci Code, armed with this knowledge, we notice many interesting symbols and messages.
Early Versions of the Christ Myth
In the opening scenes, the character Robert Langdon gives a slide presentation on how the meanings of symbols change over time. In one slide, he depicts the motif of divine mother and child. The audience initially believes it to be Mary and Jesus, but it is revealed that the scene in fact depicts Isis and Horus. Though too lengthy to list here in their entirety, Horus is just one of many so-called savior gods, whose mythology was plagiarized by the creators of the Christ story hundreds to thousands of years later. This particular point seems intended to be more of a wink to the Illuminati members of the audience, who are well aware that the stories of Christianity were designed by the elite to enslave humanity.
The Knights Templar as Heroes
In the film, the Knights Templar are seen fighting in Jerusalem, seeking the remains of Mary Magdalene. It briefly portrays their decline, and a mass execution of several members. The imagery in a scene depicting knights standing solemnly before the stone sarcophagus of Mary Magdalene, is clearly meant to idealize them as heroes. For what could be more sacred and heroic a mission, than to protect the knowledge and artifacts of the bloodline of God’s only begotten son? Here we have a prime example of subliminal propaganda—the Knights Templar, a society formed by the elite controllers of our world, being shown as having a “sacred mission”. The suggestion is that the Illuminati are actually good—that they have long-guarded a store of sacred knowledge, for humanity’s own well-being—and now this knowledge is going to be revealed to all. Nothing could be farther from the truth.
Sacred Bloodlines
A key point in the story is the discussion of how “sangreal” (grail) can be split into the words “sang real” (royal blood). The royal bloodline in question refers to that of Jesus Christ, whose ancestry is depicted as hearkening back to Solomon and David (For a few precious seconds, we even get a glimpse at a detailed family tree). This bloodline is then described as having descending through the Merovingian kings, and then into modern times. Make no mistake, this ancestry does not refer to anything holy—including the Merovingians is a brazen reference to a major Illuminati bloodline—one from which a large majority of US presidents descend, including that honorable vanquisher of evil, George W. Bush. So here again we have the planting of false ideas into the receptive subconscious of the movie-goer. By injecting Jesus Christ into their own bloodline, the message being implanted by this Illuminati-backed project is clear: members of the royal bloodlines, who hold myriad positions of world leadership (even in non-monarchal governments, such as the U.S.), are divine, being directly descended from the God worshipped by the world’s most popular religion.
The Torch-Bearing Goddess of Babylon
Though nothing new, it is worth mentioning that the film opens, as countless others do, with the famous Columbia Pictures goddess holding the torch, standing atop a stepped pyramid. This image transitions directly into the opening credits of the film. The torch-bearing goddess, worshipped under many names in ancient cultures, is leveraged by the elite to assert their dominance over humankind. For a visible example, look to the statue “Liberty Enlightening the World”, better known as “The Statue of Liberty”, placed in America by Masonic organizations. The word “Columbia” itself, actually refers to this very goddess, known in Roman times as Venus Columba, known in Babylon as Semiramis, etc., etc. The fact that this film is produced and introduced under this none-too-subtle banner, serves as a reminder that the content in the film is wholly sanctioned by the Illuminati.
Conclusions
It is very critical that we understand why the global elite have chosen this exact time to broadcast this piece of propaganda. An important modification is being disseminated to arguably their most popular and effective mind-control mechanism—Christianity. The modification entails the transformation of Jesus Christ from a purely divine being (a co-equal member of the holy trinity) into a patriarch of a “royal” bloodline. On the surface, this appears to be a means by which women could gain a greater means of equality in religion and society. Just below the surface, however, the symbol of the bloodline is a direct reference to the families of the Illuminati. Thus, they are stating in no uncertain terms, that they have absolute authority to rule, for who would dare to defy “the will of God”? The fact that they are now broadcasting this mindbomb indicates that we are very close to a final revelation of the Orwellian prison world, for which they have labored so long.
We must wake up, now! Do not be distracted. Look around, and recognize the complex layers of deceptions. Remember, if we are aware of the illusions, then they hold no real power over us. Each one of us wields the infinite power of creation—do not be afraid to use it! The elite are slowly loosing their grip upon us.
World Peace,
unda
* “Isis Weans Horus” reprinted by permission of photographer Richard Beck.
Posted: 05/30/2006 8:07 AM
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